So Long, and Thanks for All the Fish is the title of the fourth book in the Hitchhiker’s Guide to the Galaxy series by Douglas Adams. Its title is the message left by the dolphins when the entire species evacuated Planet Earth just before it’s scheduled demolition to make way for a “hyperspace bypass”.
A song with the same name was created for the 2005 film. Right at the beginning of the movie we hear the vocal choir version of the song as performed by Hilary Summers, Kemi Ominiyi, & RSVP Voices.
But did you know that on the Soundtrack CD there is a second version of the song? That’s right and it’s done in the style of lounge singer Richard Cheese but it’s actually Neil Hannon.
The 2005 movie was good but this author highly recommends the six-part miniseries from the BBC. It’s streaming on Hulu right now in the USA. If you want to take a really deep dive, check out the BBC Radio-Dramas based on the books. They are far-out indeed.
Is this another example of Mandela Effect? When I was a kid, nobody ever referred to this group as Fat Boys. It was alwaysThe Fat Boys. What Gives?
But seriously, today is National Eat What You Want Day and I can’t think of a better FunHouse Radio track to share than this one.
The song was recorded for use in the movie Krush Groove. The entire music video appeared within the movie. The film tells a fictional story based on the early days of Def Jam Records. It is now considered a Hip-Hop culture classic.
Of course the movie was accompanied by a soundtrack compilation album. My best friend had the LP and I was lucky enough to be allowed to make a cassette tape copy on his dad’s stereo. Hooray!
There was some great stuff on there. “Radio” by LL Cool J and “King Of Rock” by Run D.M.C. were the TOP JAMS back in the day. “Tender Love” by (The) Force MDs was soon played at every high school dance in urban America. “She’s On It” by (The) Beastie Boys seemed like a bonus track cut from the smash hit Licensed to Ill album. Plus you got Chaka Khan, Sheila E, Debbie Harry and (The) Gap Band. Kurtis Blow produced much of the music. It’s a lot.