Trekkies Are Freaking Out Over CAUCASIAN Lieutenant Uhura & Black Sulu

The role of Lieutenant Nyota Uhura, a beautiful and talented bridge crew-person of African descent was originally played by the iconic Nichelle Nichols in Star Trek. She’s made countless appearances in the franchise as the character.

It’s hard to imagine that Lt Uhura could be portrayed as a Caucasian woman but here we have it. Wrap your heads around it. It also seems that the role of Sulu is depicted as a Black or perhaps South Asian.

In 1975, Peter Pan, a long-time children’s record publisher, created eleven Star Trek stories. These took the form of both 7 and 12 inch vinyl records and often with a read along comic book.

Presumably, a Black voice actor was not hired to play Uhura. Rather than have a White voice actor perform a Black character, they simply depicted the character as White instead. The ethnicity of the voice actor playing Sulu, however, is unclear. None of the original TV series actors did voices for these recordings. With these unexpected changes, it get’s a bit uncanny. You might think we’ve been zapped over to an alternate universe.

The story on the actual record is charming or course. We won’t spoil it for you.

If you liked this episode, check out the CHDanhauser YouTube Channel . They uploaded several of these about two years ago. I’ve checked out a few and they are all pretty good. I can only assume that none of these are considered official cannon.

But who is FREAKING OUT about this? Well nobody. That was just a click-bait headline. Nobody should be freaked out by this.

“Xmas At K-mart” by Root Boy Slim & The Sex Change Band With The Rootettes

This wacky track was first released as a single in 1978. I first heard it on a 1996 Christmas Music Compilation from Rhino Records called Just Can’t Get Enough: New Wave Xmas. When it’s not Christmas, we also play “Boogie Till You Puke” on the live stream. Root Boy Slim was a strange dude.

But what about K-Mart? If you are older than 30 you may remember a discount retailer called K-Mart. They were headquartered in the Detroit Area until a merger Sears corporation in Chicago.

Back in the 60s, 70s, & 80s, K-Mart was a great place to shop for Christmas gifts. I always enjoyed going there as a kid. The music on the PA and all the merchandise was exciting.

They had small cafeterias to get sandwiches, pretzels, soda, pie, gelatin or coffee. It was however very nasty that people smoked cigarettes indoors. There were disposable ashtrays everywhere.

Winter 1974

“Santa Lost a Ho” by The Christmas Jug Band – An Hilarious Original Holiday Skiffle

We’ve been sleeping on this one folks. I checked the notes. The Christmas Jug Band released the album that contains this track all the way back in 2002. Amazing. I first heard the song only a year ago. How did this stay under the radar for so long!?

The band has been around since the 1970s and the first album Mistletoe Jam, was released in 1987. They are still an act today releasing new material and playing live shows. The majority of their songs are original compositions in the Skiffle genre. Their CDs are fun and collectible.

The WKRP Thanksgiving Turkey Drop Stunt – Classic Radio Translated to The Medium of Television

Here we have a classic bit from the 1970s hit TV Show, WKRP in Cincinnati. The viewer may have been watching TV but they never get to see what the newscaster sees. Instead the viewer is invited to be a radio listener. The listener has to use their imagination. It’s called “Theater of the Mind“.

In the sequence, reporter Les Nessman (played by Richard Sanders) is dispatched to local shopping center. The program director had arranged for a number of living turkeys to be thrown from a helicopter onto the shopping area. He was hoping the stunt would help promote the radio station, under the impression that these turkeys would just fly away. Needless to say, turkeys raised as human food can not fly. Something else entirely occurred. the Hindenburg disaster was referenced.

The show was trying to save money by not showing the turkeys falling from the sky and onto the crowd of people below. They needed cheep because they were already paying a fortune to licence all the rock music heard on the show. Still, it would have been great to see the mayhem described actually appear on the screen.

To help you visualize what Les is seeing, we’ve created this cheeky little rendering with Photoshop.

“The Trololo Song” AKA “I Am Very Glad Because I’m Finally Returning Back Home” by Eduard Khil on Soviet Television in 1976

Edward Khil became known to the world in 2010, when this 1976 clip of him singing on Soviet Television was uploaded to YouTube. The video went viral and became an Internet meme. It’s been described as the “Russian Rick-roll”.

In this performance Khil elected to use phonemes instead of the actual lyrics to the song. As a result it earned the nickname “Trololo Song”. This term because so ubiquitous that the singer adopted the stage name, Mr. Trololo.

The song has been referenced in pop culture numerous times. Family Guy produced a scene where the guys sing along at the local bar.

Mr. Trololo died in 2012. His final public performance was in 2010 where he sang the song to an enthusiastic crown in St Petersburg.

Download this wallpaper at deviantart.com

Season One of Wonder Woman Theme Song – The Best TV Show Theme of All Time

Some would say the Dr Who Theme is the best of all time. I think it’s number two. This is just a personal opinion. Just listen to this banger. Someone took the time to remaster the track and make it stereo in the example above. It’s from Season one of Wonder Woman starring Linda Carter which ran for three seasons starting in 1975.

The first season theme music is better than what they ended up going with for seasons two and three. The removed the lead vocal. I think that was a big mistake.

The show had an excellent intro animation to go with the song as well. Here it is. Classic.

Music by Charles Fox, Lyrics by Norman Gimbel

“The Witch Queen of New Orleans” by Redbone – About A REAL Voodoo Priestess And It’s A Funky Song for Halloween

Here’s an unofficial video for created by a pop music chart show from Bremen, West Germany. The song is a funky jam and I think better than their other well-known single “Come And Get Your Love”.

Redbone released a recording of the song in 1971 as a single and on an the LP Message from a Drum. Pat and Lolly Vegas, brothers and band-mates wrote the song together. Their recording combines elements of Southern Swamp-Rock, Native Folk-Rock and Funk.

Redbone was actually the first All Native American band to reach number one on a singles chart in any country. It was with this song. “Witch Queen” reached number one in Belgium. It hit number two on the UK Singles chart. It got to 15 in Canada but only 21 on the Billboard Hot 100 in the USA.

courtesy of discogs

Because of the subject matter, the song has become a favorite for Halloween celebrations in the US, UK and Canada.

The song is about a 19th century Voodoo practitioner named Marie Laveau. You probably didn’t read about her in your high-school history book. She was a free woman of color, Creole, born and died in New Orleans, 1801-1881.

1920 portrait formerly identified as Marie Laveau (1794–1881) by Frank Schneider, based on an 1835 painting (now lost?) by George Catlin.

Her life story is long and interesting. There is far to much to cover here in this blog. The short version is that she was a famous Herbalist, Voodoo Priestess, Beautician and Midwife. Despite being a person of color, she herself owned slaves. For a while she was the elected leader of The New Orleans Voodoo Organization. This is why they gave her the nickname “Witch Queen”.

Her unique life experience has inspired many writers and musicians to referenced her in their work. You can still visit her grave today. Notice the marker refers to her VooDoo organization as a cult. Her former home and grave-site are both thought to be haunted by her dead soul.

courtesy of atlasobscura

Did The Devil & Mick Jagger Inspire The Voice of Starscream, Number Two Decepticon From The Transformers?

Jonathon Round sounds like The Decepticon named Starscream in his 1971 cover of “Sympathy For The Devil” by Mick Jagger, first released by The Rolling Stones. It’s uncanny. Listen to this track.

Christopher Collins was the voice actor that played Starscream on the original animated series from the 1980s. Maybe he heard this album in the 70s and then did his own take on the voice for The Transformers original animated series. It’s plausible. At times in this recording Round sounds like Cobra Commander from G.I. Joe. Collins voiced that character as well.

Some of the Mick Jagger penned lyrics are recited in a creepy somewhat Victorian style rather than sung. Sometimes the singing sounds like it belongs on a Black Sabbath track rather than an acoustic-folk number. When he belts out “Anastasia Screamed” and also when he laughs, it sounds just like that Decepticon from The Transformers.

Ever since I was a kid growing up in the 1980s, we would pull out The Jonathon Round LP around Halloween to play this cover. Not only is the song about The Devil, it has spooky sound effects.

Round (1949-2009) was apparently from the Detroit area. This would explain how my mother got a hold of his self-titled album. I still have the LP and we play it on the live stream during the Halloween season. In researching the album, I was shocked to find out that it was also released in Germany, Britain, and Spain.

Neither discogs nor allmusic have much information about this artist. It took some digging to find out anything. I discovered a few reviews of this album transcribed to a Facebook memorial group from eBay. I could not find these reviews on eBay but they seem legit.

“John was a larger-than-life man… a self-taught guitarist. His songs were a unique blend of observation, experience, fantasy, and politics. … [He was] most noted for his version of ‘Sympathy For the Devil’. Mick Jagger even mentioned this cut on-air as one of his favorite covers” (CaptainPeace, 2009)

“If you think Jonathon’s cover shots are scary, well, just wait’ll you hear this guy sing! This is the voice of a drama student on meth – overly emotive, nearly operatic grand gestures punctuated by that downright creepy maniacal laugh.” (fourthhostcelestials, 2008)

The folk-singer fad was over by the time he recorded this album.

“What you really have to wonder is how this album came out on the Westbound label. I mean, they were both from Detroit, but Westbound was known for funk and soul artists like Funkadelic, The Ohio Players and The Detroit Emeralds. Jonathan doesn’t fit into the funk category at all, but …somehow he got it done, and then got ‘em to release it in a fancy trick sleeve, all the while captivating audiences with his demonic stage show” (fourthhostcelestials, 2008)